Calvin Klein Collection | yohana
In their place were slipdresses that by their very definition had a real sense of the body. Curving seams on the rear end highlighted its round form; pleats tapering to a point near the tailbone served the same purpose. Many of the silk frocks had sheer details at the bodice or were made of such gossamer-light stuff that the models' underpinnings were visible. Lingerie being such a big part of the CK empire, it felt—deliberately or not—like a smart synergy between brands: Put more celebrities in dresses with bras peeking through—Uma Thurman, Naomi Watts, Ashley Greene, and Chloë Moretz were all sitting front-row—and sell more Calvin Klein Underwear.
The delicate look of the slips extended to the tailoring: Jackets had portrait necklines, and pants were cut so wide and cropped so high that from certain angles they looked like full skirts. For a long time now, Costa has practiced one half of the Calvin Klein brand DNA, minimalism; this season he nailed the sensuous part of the house code, too.
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