Photographer Chen Man’s boundary-pushing imagery make their way into a M.A.C collaboration | Hollywood yohana

Fashion photographer Chen Man | M.A.C.


 “Those girls started riots, because Chinese people thought they were ugly,” says Phillip Ing, vice-president of global retail and special events for M.A.C. He’s describing the public’s reaction to a series of images by Beijing-based photographer Chen Man, published in 2003 on the covers of Vision, an avant-garde Chinese fashion and art magazine. OK, so they weren’t actual riots, but there was plenty of hate mail; resistance is a common repercussion when one is blazing a beauty trail in a conservative country. Her images were arresting and fantastical, and they instantly garnered attention, as did the artist herself. At the time, she was only 23 and still in school, but she represented the next generation, who no longer felt constrained by many of the limitations their nation imposed.


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